James Ensor
The assassination
Date 1888
Period 1880s, 1880-1890
Origin Safe
Medium Copper plate etching in black on simili-Japan paper
Dimension 17.8 x 23.8 cm (7⁰/₁ x 9³/₈ inches)
No states are known to exist. Only a few rara prints were taken on laid Holland paper and then touched up with water-colour (yellow and red). The plate bears an undated signature in small leters low to the right. (Taevenier, 1973).
Date: 1888
Period: 1880s, 1880-1890
Origin: Safe
Medium: Copper plate etching in black on simili-Japan paper
Signature: Signed in plate: J. Ensor; signed in pencil lower left: J Ensor / 1888
Dimension: 17.8 x 23.8 cm (7⁰/₁ x 9³/₈ inches)
Literature: - Delteil, L., Le Peintre graveur illustré : H. Les, H. de Braekeleer, J. Ensor, vol. XIX (Paris: 1925), no. 38 (ill.).
- Croquez, A., L'Œuvre gravé de James Ensor - Catalogue raisonné (Paris: Maurice Le Garrec, 1935), no. 38 (ill.).
- Taevenier, A., Graphic works of James Ensor. Illustrated catalogue of his engravings their critical description and inventary of the plates (Ghent: Erasmus Ledeberg, 1973), no. 38 (ill.).
- Elesh, J.N., James Ensor The Complete Graphic Work (The Illustrated Bartsch, vol. 141) (New York: Abaris Books, 1982), no. 38 (ill.).
- Cooke, L., A. Taevenier et. al., James Ensor. Etchings from the collection of 'Gemeentekrediet België' exh. cat. (Brussels: Gemeentekrediet van België, 1978), 26, no. 31 (ill.).
- Alechinsky, P. e.a., Ensor, exh. cat. (Blondé/KMSKB: Wommelgem/Brussels, 1999), 308, no. 319 (ill. of water-coloured etching coll. MSK Ghent inv. 1998-B 56).
- Becker, J. & Hirner, R. C. Ottnad e.a., James Ensor (1860-1949). Visionär der Moderne, exh. cat. (Bonn: VG Bild-Kunst, 1999), 133 (ill.).
- Gillis, E., James Ensor. A collection of Prints (C. G. Boerner, 2002), 68, no. 33 (ill.).
- Tricot, X., James Ensor. The complete prints (Roeselare: Defiac, 2010), 100-103 (ill.), 287, no. 48a (provenance Galerie Atelier/F. Aerts, Ostend).
Exhibition: - Ghent, Museum of Fine Arts, inv. no. 1998-B-38 (hand-coloured etching).
- New York, MoMa, inv. no. 328.2002.
- New York, MoMa, inv. no. 160.1999 (etching with gouache, colored pencil and crayon additions).
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