Giovanni Battista PIAZZETTA
The Apostle Saint Simon Zelotes
The present sheet was reproduced in an engraving, in the same direction, by the printmaker Marco Pitteri (1702-1786), which was published in Venice in 1742. The print was one of a series of fifteen half-length bust-length images - based on drawings or paintings produced by Piazzetta between c.1736 and 1742 - of God the Father, Christ, the Virgin and the twelve Apostles. Pitteri’s engravings proved very popular and were later reissued by Pitteri himself, while also being reproduced by other printmakers in the form of mezzotints. A handful of other drawings by Piazzetta related to Pitteri’s print series are known.
A closely related drawing of Saint Simon Zelotes by Piazzetta, but showing him without the saw and with both hands clasped in prayer, is in a private collection in Rome. Piazzetta may have used this drawing for a painting of Christ Crowned with Thorns, in a private collection in Bergamo in 1982, in which the head of Christ is very close to the present sheet. A three-quarter length painting of Saint Simon Zelotes tentatively attributed to Piazzetta, in a Venetian private collection, is also based on either the present sheet or the Pitteri engraving, but shows much more of the figure.
This drawing bears the collector’s mark of the physician and scientific writer Edward Peart (1756-1824), who acquired both prints and drawings, and whose collection was dispersed at auction in London over several days in April 1822. The drawing was acquired at the 1822 sale by the English soldier and politician Sir Charles Greville (1762-1832), whose collection of drawings passed by descent to his nephew, George Guy Greville, 4th Earl of Warwick (1818-1893) and was kept at Warwick Castle. The present sheet was one of many drawings acquired at the 4th Earl’s posthumous sale in 1896 by the German-born art historian and art dealer Jean-Paul Richter (1847-1937), who had begun collecting drawings around 1880 and had studied the collection at Warwick Castle. The best drawings in Richter’s collection, including the present sheet, were sold at auction in Amsterdam in 1913.
Provenance: Dr. Edward Peart, London and Butterwick, Lincolnshire (Lugt 891)
His anonymous sale (‘a Liberal and Enlighted Collector’), London, Christie’s, 12-24 April 1822, lot 17 (bt., with lots 16 and 18, by Greville for 11 gns.)
Sir Charles Greville, London
By descent to his nephew, George Guy Greville, 4th Earl of Warwick, Warwick Castle, Warwick (Lugt 2600)
Thence by descent at Warwick Castle
Warwick sale (‘The Rare and Valuable Collection of Drawings by Old Masters of the Right Hon. The Earl of Warwick, Deceased’), London, Christie’s, 20-21 May 1896, lot 268 (‘PIAZZETTA (G.B.). St. Joseph – black and white chalks, on green paper’, sold for £1.0.0 to Richter)
Dr. Jean-Paul Richter, London
His sale (‘Vente importante de dessins anciens provenant e.a. des collections J. P. Heseltine et Dr. J. Paul Richter de Londres’), Amsterdam, Frederik Muller & Cie, 27-28 May 1913, lot 358 (‘Buste de saint Barthélemy, tourné à droite, tenant la scie sur l’épaule. Pierre noire sur papier gris, rehaussé de blanc. – Haut. 38.7. larg. 31 cent. Ce dessin a été rendu en gravure. Collections Dr. Edward Peart 1822, Clerke et Earl of Warwick 1896.’)
S. Haag
Pieter de Boer, Amsterdam, by 1962
The Stichting Collectie P. en N. de Boer, Amsterdam
De Boer sale (‘Old Master Drawings from the Stichting Collectie P. en N. de Boer’), London, Christie’s, 4 July 1995, lot 68 (bt. Hazlitt)
Hazlitt, Gooden & Fox, London
Addison Fine Arts, San Francisco in 2001
Private collection), San Francisco.
Literature: Paris, Institut Néerlandais, and elsewhere, Le dessin italien dans les collections hollandaises, exhibition catalogue, 1962, Vol.I, p.105, no.175, Vol.II, pl.CXXII; Rodolfo Pallucchini and Adriano Mariuz, L’opera completa del Piazzetta, Milan, 1982, p.112 and p.128, under no A135; Alessandro Bettagno et al, G. B. Piazzetta: Disegni – Incisioni – Libri - Manoscritti, exhibition catalogue, Venice, 1983, p.38, under no.64 (entry by George Knox).
Exhibition: Paris, Institut Néerlandais, Rotterdam, Museum Boiymans - van Beuningen and Haarlem, Teyler Museum, Le dessin italien dans les collections hollandaises, 1962, no.175; Laren N.H., Singer Museum, Oude Tekeningen: Een Keuze uit de Verzameling P. en N. de Boer, 1966, no.178.
Stephen Ongpin Fine Art
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